Nixon and Lear

In public and by all his significant deeds, Richard Nixon loved and supported Jews and all their works. In private, he knew better but still did nothing.

by Douglas Mercer

IF YOU ARE EVER looking for some solid hours of entertainment may I suggest getting a comfortable chair, knocking back a couple of shots of whiskey in honor of the Old Man, searching through the Nixon Tapes, and simply listening.

What you will hear are the mental roamings of a highly intelligent, highly articulate man, generally besotted with drink, ripping the bark off of his enemies and cutting them to ribbons.

And, for all his liberalism, his enemies are our enemies too. Whatever else he was, Nixon was old school America incarnate, the son of man who drove a beat-up jalopy from Whittier to Los Angeles, delivering milk. His hatreds are our hatreds. He was always spurned by the Ruling Class, and he was a hard-hat at heart. His historical ramblings are at times scattershot, but his instincts are often sound. And instructive.

Apparently one day President Nixon was trying to tune into a baseball game (America’s pastime of innocence) on television but got something else instead, an unhealthy dose of degeneracy, courtesy of Jews. And what did he see? Two “strong, magnificent men” kissing! Right there on TV! Glorifying homosexuality, the Jews were.

The next day an outraged Nixon discusses this filth with his aides. Comic it is that neither he nor any of his aides knows the name of the show, though it was a big hit by then. Nixon at first says he thinks it’s a movie, another says no, it’s a panel show. Finally one hits closer to the mark saying it’s on every week.

The aide tells him the main character is a slob, looks like Jackie Gleason, and he’s a hard-hat with a hippie son-in-law. And that the “general trend” is to downgrade the hard-hat and praise the hippie — the “square” is bad, the hippie is good. That’s real family entertainment, isn’t it?

The bigot was the character Archie Bunker and the show was Norman Lear’s All in the Family (1971-1979).

Nixon then goes on to say emphatically that you shouldn’t glorify homosexuality on the public airwaves; that this kind of immorality is what brings strong societies down. Apparently he did not believe that this kind of “diversity” was a strength.

Of course he was right. But also of course, what he saw was just the Jewish hors d’oeuvres. We’ve since had the main meal shoved down our throats. Which should remind you that whenever anyone says the slippery slope is a fallacy, you can be sure that person is a liar and is busy somewhere in secret greasing the skids.

And what skids we’ve seen. Not too long ago, Spotify had an ad featuring some sad-sack weirdos in their employ. The weirdos were all in a made-up category which our rulers require us to call “trans.” One said “pronouns are tricky for me.” Another said that he/it/they/ze/zir/what had “been in the closet” for thirty years, but I’m thinking it was the basement. And it should have stayed there, by rights. Gillette scandalously had an ad showing a cucked father gently helping his daughter shave. And Cadbury Egg recently showed two bearded men, one non-White for good measure, filthily kissing with the sponsor’s brand of candy passing from one mouth to the other. The tag line was: “There’s more than one way to get the cream flowing.” There is also more than one way to dispose of parasites.

Coward and betrayer that he was, Nixon’s candor is nevertheless refreshing. There never is anything more encouraging than a seat-of-the-pants hatred of all things deviant.

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They say that when Francis Ford Coppola wrote the opening speech of the movie Patton he was sure that people would be appalled by its bloodthirsty jingoism. Apparently he was genuinely surprised that people loved it, and that it became an iconic “All-American” speech.

Similarly, when sinister Jew Norman Lear originally created the character of Archie Bunker he was sure that people would be repelled by his loutishness and bigotry. He, too, was shocked when his character became beloved.

Lear was born in Connecticut. His mother was a Jew from Ukraine and his father was a Jew from Russia. He grew up in a Jewish household and had a bar mitzvah ceremony. Really, with these people you can write the Early Life section with a rubber stamp, so similar are they: Emigrate from eastern Europe, become Marxists, go into media or entertainment, hate the White man. It really is rather formulaic.

Recent shows like Orange Is the New Black and Transparent which push filth down our throats are indebted to Lear. In their view, they push “socially conscious” ideas on a “backward” country, but “socially conscious” is just a sly code word for Jewishly conscious. (Don’t forget that “President” Biden once said that Jewish influence on “social change” in America was “immense.” In fact, he underestimated it.)

In addition to All in the Family, Lear created Maud, which had mannish Jewess Bea Arthur as the “female” lead, and her 1970s-style feminism had her browbeating her henpecked husband in every episode. This Jewish show also had a “groundbreaking” episode about abortion. That’s real family entertainment, isn’t it?

Lear apparently had a thing with kisses. In one episode of All in the Family, daughter Gloria brings home a reproduction of Rodin’s sculpture The Kiss. Immediately Archie shows his bigotry by saying that the sculpture is pornography. Not surprisingly, the hippie (played by Jew Rob Reiner) is appalled.

And, famously, Lear had Sammy Davis Jr. (a Black who converted to Judaism, so he is an un-American twofer) smack a big wet one on Archie’s cheek. How the (synthetic) crowd roared its approval!

And, then, of course, there’s the kiss between the two men that Nixon was commenting on. The two were presented as “men’s men,” not as preening and lisping faggots, so it was even more “shocking.” Lear sent a message to normal America: Fags are on the way, and it might just be your burly uncle, you goddamn bigots.

Oh, how the Jews love their sodomy. That’s real family entertainment, isn’t it?

Lear has masqueraded as an “American Creed”-promoting American, when really he’s a Jewish subversive. He founded a group called “People for the American Way,” the “values” statement of which read:

People for the American Way works to build a democratic society that implements the ideals of freedom, equality, opportunity and justice for all. We encourage civic participation, defend fundamental rights, and fight to dismantle systemic barriers to equitable opportunity. We fight against right-wing extremism and the injustice it fosters.

In rough translation this means that Jews love a “nationality” based on bogus ideas like “democracy,” “equality,” and “rights”; a creed that the most benighted helot can, in theory, subscribe to — but the race-based polity we need is beyond the pale. If they were not such vicious liars (but they always are) they would have called it People for the Jewish Way.

And let’s not forget that Lear unleashed on unsuspecting Americans that big fat Jew, Rob Reiner, who played the hippie character as previously mentioned. Now Reiner takes to X to “battle racism,” all the while living in the tony and exclusive enclave of Malibu –inhabited only by Jews like him and the rich White race criminals in cahoots with them. No low- or medium-rent housing in Malibu — no sir, they’ve got zoning laws to protect themselves from the consequences of their perfidy. Maria comes in to clean the filth off their toilets; Juan is their gardener. Other than that, it’s a big Jewish/White-race-criminal enclave, from which feudal redoubt they lecture us about being such “bigots.”

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Nixon’s final words to his aides were: “This is why the Communists and the left push this…. They want to destroy us!”

Yes, they do. Never forget that. That is what’s at stake.

If only Nixon had said all this in public. But wherever he is, may the gods be with him.

The composer Richard Wagner said that Jews were “plastic demons of decomposition.” That is, they are ever-changing (thus “plastic”) beings who promote and support and engage in whatever corrupts and rots. They want their host countries turned into putrefying corpses, which they then batten on like flies. It’s true. That is why the Jews push immorality and “anything goes” lifestyles. It’s in their nature and in their interest to do so.

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