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Hollywood’s Jewish Phallocrats

A golden sculpture of Jewish film mogul and abuser of White women Harvey Weinstein on his infamous casting couch, suggestively holding an Oscar, appeared on the streets of Hollywood a few days before the 90th Academy Awards on March 4, 2018.

Some of the abuse depicted in this article may be too shocking for sensitive readers. They, and children, should not read it.

by Thomas Müller

LONG BEFORE HARVEY Weinstein sullied the reputations of “White men,” Hollywood Jews in positions of power coldly used women as sexual receptacles. They ruined the lives of countless girls and women who refused, or fought back, and they emotionally damaged those who submitted out of fear or a moment of weakness. The cynical and ambitious White females formed a sick, symbiotic relationship with their abusers.

Upton Sinclair once remarked, “Jewish traders sold Christian girls into concubinage and into prostitution, and even today they display the same activity in the same field in southern California where I live.”

F. Scott Fitzgerald summed up the Hollywood scene of his era: “A Jewish holiday, a Gentile tragedy.” (Gabler, 2)

In the 1940s, the novelist Raymond Chandler was in Hollywood, and assigned to work with Jewish writer and director Billy Wilder. Chandler was appalled by the way the married man would constantly and openly “chat up” young starlets with whom he had innumerable sexual trysts, evidently regarding them as mere entertainment and simply his “due” for being a man of his position (or as one of the “chosen”).

“How amusingly like a roasted pig”: (L-R) Jewish actor Tony Curtis, Jewish screenwriter and director Billy Wilder (inserting tomato), and White actress Marilyn Monroe. Wilder began his career in Weimar Germany. Monroe died of a barbiturate overdose in 1962, a probable suicide after being used by Jews in the film industry for a little over a decade.

Chandler said he was disgusted by Hollywood’s Jewish elite and later wrote to a friend: “Los Angeles has nothing for me anymore. It’s only a question of time until a Gentile has to wear an armband there.”

Jewish film producer Arthur Freed

When child star Shirley Temple was 11 years old, she was asked to come — alone — into the office of Jewish film producer Arthur Freed to “talk about her upcoming films.” Temple was already one of the most popular stars in Hollywood. She was hardly of an age to even understand the meaning of the term “casting couch,” nor did she particularly need Freed’s favor. But Freed simply couldn’t restrain himself.

According to Temple herself, Freed had only uttered a few sentences about her films when he suddenly exclaimed, “I have something made for just you,” while taking down his pants. As he exposed himself to her, he proclaimed, “You’ll be my new star!”

White child actress Shirley Temple (1928-2014)

Temple was protected by her very real innocence of such things, and could only laugh. Her laughter enraged Freed to the point of forgetting all about his sick lust. Temple said that Freed yelled at her, “Get out!” He then shouted, unmindful of his disarray, imperiously pointing to the closed door, “Go on, get out!” (Wall Street Journal)

Harry Cohn (1891–1958), the founder of Columbia Pictures Corporation, was part of the Eastern European Jewish mogulocracy that came from nowhere. Cohn was a tyrant. His temper was his chosen tool for getting his way. Listening devices throughout his studio helped him eavesdrop on subordinates and a sound system allowed him to blast anyone who annoyed him.

Cohn filled his shelves with silk stockings and expensive perfumes. He helped entrench the Jewish systemic abuse of WHites in the movie industry during his four decades in film. From the start, Cohn used his aggression to exert control over female stars. Not only did he force them to change their names and their appearances, but he regularly forced them to trade sex for employment, then scrutinized and even spied on them. He relentlessly demanded that the actress Rita Hayworth in particular “sleep with” him, bugged her dressing rooms, and imposed financial penalties for “insubordination.”

In the words of E.J. Fleming — whose book The Fixers focused on how Hollywood studios controlled their stars’ images — Cohn “was said to have verbally or physically raped every woman that ever worked for his studio.” (emphasis ours)

Harry Cohn with half-White half-Gypsy actress Rita Hayworth and White actress Anita Louise, 1946.

Early in Marilyn Monroe’s career as a struggling actress, Harry Cohn invited her to an “overnight cruise” on his yacht. Monroe was required to strip naked for Cohn in his office. As she bent over, at his direction, he approached her, penis in hand. When she declined his advances, said Monroe, “I had never seen a man so angry” (Jordan, 91; Wolfe, 211-212). Cohn then “banned her from the [Columbia] lot after she refused to accompany him on a yacht to Catalina Island.” (Leaming, 8)

“You know,” Monroe once said, “that when a producer calls an actress into his office to discuss a script that isn’t all he has in mind…. I’ve slept with producers. I’d be a liar if I said I didn’t.” (Summers, 34-35). In 1955, 20th Century Fox awarded Monroe the richest per-film contract of any actress. “It means,” remarked Monroe, “I’ll never have to suck another Jewish cock again!” (McDougal, 217).

“By 1953,” Ted Jordan reports, “Monroe could be virulently ‘anti-Semitic’ (a sentiment that grew as she got older). To my discomfort, she would sometimes refer to Joe Schenck, the mogul [and another sexual stepping stone], as ‘that Jew sh__’ and to other Hollywood personalities as ‘Jew’ this or that. Occasionally I would have to remind her that I was half Jewish.” (Jordan, 188)

Jewish film mogul Louis B. Mayer and White child actress Judy Garland

Jewish phallocrat Louis B. Mayer (1885-1957), who co-founded Metro-Goldwyn-Mayer (MGM) studios in 1924, was ground zero of this kind of abuse. He had the means, motive, opportunity and that critical piece of the puzzle: the whip. If women didn’t comply, he’d threaten to ruin their careers or those of their loved ones, according to Variety magazine.

Cari Beauchamp, author of Without Lying Down: Francis Marion and the Powerful Women of Early Hollywood, noted: “Mayer chased actress Jean Howard around the room. When she said, ‘No way,’ and went off and married Charles K. Feldman, the agent, Mayer banned Charlie from the lot. For a long time after, he wouldn’t allow any of Feldman’s clients to work at MGM.” [Another Jew stole his property, you see.]

Mayer also allegedly groped the teenage Judy Garland, according to Gerald Clarke’s book Get Happy: The Life of Judy Garland, and held meetings with the young woman seated on his lap, his hands on her chest.

Claudette Colbert wrote that the only star she knew who had not made it via the casting couch was Bette Davis — and that included herself. Most biographies today describe Mayer as a man who “personally serviced” every actress he signed — hundreds of them.

It was claimed Sam Goldwyn (real name: Samuel Goldfish) of MGM wasn’t really that in to it, but he engaged in these behaviors mostly to keep up with his fellow phallocrats.

from Goldwyn: A Biography – A. Scott Berg
Samuel Goldwyn: What is that claw he appears to have instead of a hand?

Jack Warner (aka Wonskolasor), the driving force and the youngest of the Warner Brothers — there were six in all — is universally described as a horrible man. Film critic and historian David Thomson, who wrote Warner Brothers: The Making of An American Movie Studio for the Yale Press “Jewish Lives” series, stated that Warner was “maybe the biggest scumbag ever to get into a Jewish Lives series.” And that’s saying something!

Jewish studio head Jack Warner: Watch your back around this guy, in more ways than one.

From the book:

Whenever Warner arrived at a star-studded Hollywood party, the man they called “The Duke” (John Wayne) would angrily storm out. On one occasion when Warner eventually caught up with Wayne, he asked “innocently,” “What went wrong?”

“You screwed me!” said the hardbitten actor, according to Express news magazine.

“Duke, I know,” replied Warner. “But that would have happened anyway. And we’re your friends.”

Cheating and exploiting its stars has been a Hollywood way of life for more than a century, but few studios embraced that sadistic ethos more than Warner Brothers.

In 1956, with movies losing profits to TV, Jack even duped his own brothers, persuading them to sell 90 per cent. of their stock to an investor, then making a secret deal to repurchase the shares and make himself studio president.

Non-Jewish (though an anti-White Communist) film director Elia Kazan once opined that studio heads like Warner “went by a simple rule and a useful one: Do I want to f___ her?” Kazan justified that calculus, explaining: “The audience must be interested in the film’s people in this elemental way…. If the producer wasn’t interested in an actress this way, he was convinced an audience wouldn’t be.” Sure, Elia. Got it. The systematic debauching of our women by Jews even more evil and hostile than you, traitor, was just a way to “please the audience” — they pretty much had to do what they did just to stay in business, because of all those dirty-minded White moviegoers.

* * *

Source: Winter Watch and National Vanguard correspondents

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Pete
Pete
11 January, 2022 12:33 am

And the Jews say that THEY are the humans and we goy are “Animals.” HAH. We have come to learn about these Satanic gangsters, that everything they say should be taken opposite to what is spoken, and so the truth is that THEY are the animals and WE Whites are the humans, and history is full of the evidence necessary to prove it, lowlife scum.

ulysses freire da paz jr
ulysses freire da paz jr
Reply to  Pete
11 January, 2022 4:42 pm

comment image

A folk helps itself

Prinz Edelhart
Prinz Edelhart
Reply to  Pete
11 January, 2022 8:43 pm

Having known many animals – including the human variety of naked ape – in my lifetime, I consider being called an animal a compliment.

Joshua
Joshua
Reply to  Pete
14 January, 2022 10:43 am

I often think that the Jews are projecting when they insult the goyim.

Lazaris Procrustes
Lazaris Procrustes
11 January, 2022 9:40 am

People who rise above the crowd either use kundalini—the fast-moving, immediate power of the sexual nature—or spiritual power, which is of a lower frequency, but longer-lasting.

In young adulthood, it appears that the kundalini people win big, with money and women, but in later years they are the ones who become decrepit, bitter, ugly, and alone. The spiritual life is slow-moving, but its results are assured.

So, why were these Jewish producers so into kundalini ? In short, they sold their souls for fleeting worldly treasure. They had no spiritual roots. They only had eyes for this world, and had no concept of the ineffable.

b.smith
b.smith
Reply to  Lazaris Procrustes
12 January, 2022 6:25 pm

I view them as creatures of a cancer on (co-)creation. Chosen of a cancer god if you will. In other words they have actually lost the overall plot of being, lost connection to the absolute — seeing the co-creation as not the mind-body of the absolute, of which they are a part, a part which should behave responsibly, but merely as meat for them and their cancer god to consume. Like they see our women as only “Shiksa” (Unclean meat to be consumed and excreted). There was an old saying that “onanism” would make you blind, but for the Jews, excessive moral-masturbation may have actually blinded them to the spirit. (Like cancer is blinded to the spirit of the greater and higher form of life it invades, consumes and tries… Read more »

guest
guest
11 January, 2022 11:21 am

“It means,” remarked Monroe, “I’ll never have to suck another Jewish cock again!” 

But then she went on to marry play writer (((Arthur Miller))).

Prinz Edelhart
Prinz Edelhart
11 January, 2022 8:48 pm

I’ve long thought that the entire movie and later also TV industry was initially created to give older, unattractive men – most of them Jewish – access to young, attractive women, most of them of Celtic or Germanic blood.
Women who would, under normal circumstances, never even spit on these men.
‘I can make you a star, baby!’
Women do possess the ability to suppress their gag reflex provided the cave troll is rich, famous or influential enough.
The fact that movies and TV are also the most powerful propaganda tools ever devised – or were, prior to the interwebz – and make oodles of money are just pleasant (for them) side effects.

Jim - National Alliance Staff
Jim - National Alliance Staff(@st_89a)
Reply to  Prinz Edelhart
11 January, 2022 11:13 pm

Women need to be presented with better choices, and better men. Being that man is what we ought to be becoming, and taking part in something greater than our own individual lives is part of that. The National Alliance offers the framework, you and I are to fill it in and get something worthy of notice done.

One last thing: positive action with us beats sitting around and grousing about problems.

Howard
Howard
12 January, 2022 1:03 pm

This has to be recognized as one of the things that is truly our fault as White people. We should never have allowed the movie industry in any shape or form to be allowed to slip away from us and fall into the hands of the Jew. Had we as people been far more aware of its pernicious influence on the psyche of people and as a vehicle for propaganda we could have controlled the narrative and shaped it so that it would demonize the Jew (as it should be) and exult the Aryan. As it is we gave the entire movie industry away for short-term profit and allowed a demon group to possess it and use it as a tool to bashes with. Any new technology should be kept… Read more »

Lazaris Procrustes
Lazaris Procrustes
12 January, 2022 4:07 pm

It must be remembered that these wanna-be stars attracted these vultures because they signaled that they were willing to sell anything to be a star. is this not the way of nature? A doe in heat attracts bucks, a dying buffalo attracts wolves, and, on a spiritual level, a person hell-bent on being “a star” will attract exploiters. Neither do I give them a pass for being female. They did not guard their souls. Shirley Temple, as an incredible dancer, seemingly from birth, handled the problem like an incredibly wise person—she danced around it, just laughing at the Jew’s pathetic shortcomings, joyously tap-dancing around him, as it were, and out the door, laughingly humiliating him for the rest of his miserable life. Let us deal with all our enemies with… Read more »

Howard
Howard
Reply to  Lazaris Procrustes
13 January, 2022 2:00 pm

You have to see my remark above. Should we have kept the entertainment industry in our hands instead of giving away and selling it to the Jew then perhaps, just perhaps we would had more decency in both our society and in our entertainments. The way it is we went to the lowest common denominator to get our ‘jollies’ and allowed smut and pornography to pervade our total existence. The Jew is completely bottom of the barrel and always will be.

Martin Kerr
Martin Kerr
14 January, 2022 4:38 am

Jewish actor Tony Curtis (birth name Bernard Herschel Schwartz) was once asked what it was like to kiss Marilyn Monroe (birth name Norma Jean Mortensen) in the 1959 hit film Some Like It Hot. He replied that, “It was like kissing Hitler.” This was an allusion to the actress’ Aryan appearance which escaped most of the celebrity watchers of the day.

Joshua
Joshua
14 January, 2022 10:41 am

The Jews have always been a highly perverted people. Just read through the Bible.

Thomas Jefferson
Thomas Jefferson
15 January, 2022 8:54 pm

I have never deviated, not even by a single nanometer, from the view that as a people, Jews are emotionally, physically and spiritually ugly. I would not say ‘bug’ ugly as I would never insult insects, since insects have a purpose. In contrast to insects, Jews’ only purpose is to exploit. How I hate Jews, let me count the ways!

Mack
Mack
Reply to  Thomas Jefferson
18 January, 2022 3:16 pm

Judy Garland (Gumm) was a Jew, I believe.

irish savant
irish savant
19 January, 2022 4:39 pm

Seriously, these people are demons by their very appearance alone.

Kevin Alfred Strom
Kevin Alfred Strom(@admin)
Admin
Reply to  irish savant
20 January, 2022 7:06 am

If any beings are demons, they are.

Good to see you here, Sir. I was also very glad to see that you have your own site now, and have escaped the demons’ censorship.

James Puckett
James Puckett
19 January, 2022 8:19 pm

Pleased to read the comments. May I add one?

One lesser known, but very fine studio performance of the Eagles, The King of Hollywood, describes the moguls tactics.

It can be heard on youtube at https://www.youtube.com/watch?v=W3vIW7saNMc.