by David Sims KNIGHT Dunlap (1875–1949; pictured) was an American psychologist who made a special study of human beauty. He wrote, “Whatever its importance for the individual, beauty is for the race and for civilization of such profound importance that no other fundamental consideration…

Against the Jewish critics and the Jewish press who pushed “modern art,” Federici held true to his principles. by Frederico Napolitano GAETANO FEDERICI (1880-1964) was an Italian-American artist — a real artist — and sculptor who idealized the human form and spirit. Emulating…

by Josiah Nott MODERN ART IS not really art at all, but Jewish self-promotion and degeneracy. So, though Jews are not heavily represented in true art, they are in fact very much over-represented in so-called modern art — in fact, they were and are the dominant force in it. (ILLUSTRATION: Jackson…

by Mark Citadel IF WE AFFIRM an objective aesthetic, that in the appearance of corporeal entities and elements there exist combinations that can be counted as objectively beautiful, and others that can be counted as objectively ugly, we can expose much of the Modern World as being aesthetically…

by Dr. William L. Pierce (1983) KENNETH Clark, the British art historian who is best known for his 1969 television series, Civilization, died last month at the age of 79. Clark (pictured) was a liberal: an effete, over-civilized son of the idle rich who hobnobbed with Jewish “culture vultures”…

American Dissident Voices broadcast of January 30, 2016 Listen to the broadcast by Kevin Alfred Strom “YOU HAVE lost your reason and taken the wrong path. You have taken lies for truth, and hideousness for beauty…. I don’t want to understand you.” So said the Russian playwright Anton…

by David Sims EDITOR’S NOTE: Beauty, in your editor’s opinion, is an ancient genetic message telling us, among other things, what the future should be like in an ideal sense — for our particular life form. Naturally, the idea of the beautiful varies widely among the races. One glance…

IT IS precisely because the final goal of architecture is universality that it first must be rooted in time and place. Only in transcending these limitations does it become great. Regionalism is a qualifying discipline which insures a sense of quality. Universality unrelated to regional roots is…

by Josiah Nott MODERN ART IS not really art at all, but Jewish self-promotion and degeneracy. So, though Jews are not heavily represented in true art, they are in fact very much over-represented in so-called modern art — in fact, they were and are the dominant force in it. (ILLUSTRATION: Top, Water…