Douglas MercerEssaysNewsPerspective

Savage Black Rites in New York City

Ugga buggah, literally. Leading Establishment cultural and art publications, including Smithsonian magazine, have rushed to heap praise on this new “work.” Once the Jews convinced us that Jackson Pollock’s brush drippings were “art,” this became inevitable.

by Douglas Mercer

SANFORD Biggers is described as an “interdisciplinary artist” who resides in Harlem. Just the other day one of his “art works” was unveiled in New York City at Rockefeller Center.

What he did was drop on to America a twenty foot tall statue of a primitive-looking seated Congoid with an outsize head, which seems to be presiding over some rite, some ceremony.

The piece is called “The Oracle.”

What is it telling us?

In the Time of Floyd, the Perfect Groid, this is the perfect symbol. In a once-White city founded by the Dutch and the English, up goes this horrid abomination from the deepest heart of savage Africa, profaning all that is sacred with its unholy rite. It is a totem of horror.

In the era when the Magic Negro is exalted above all as a “moral” exemplar, we now have this Demon Larva with the hideously distorted face, brutal simian features, and a demented countenance beyond the nightmares of Bedlam, lording it over us in our civic space. Sitting in judgement of us, as it were.

Sanford Biggers and his grotesquely Negroid “Oracle” at Rockefeller Center, New York City, the literal power center of Jewish culture distortion. Notice the Classical references — mockery, really — reminiscent of Horatio Greenough’s Washington as Zeus. If you don’t “get it” that we’re being genocided after seeing “Oracle,” you probably are beyond hope.

The figure conjures up images of Lovecraftian terror and dread, of voodoo, and weird cultic rites, usually involving eating people or something vaguely similar to people but more disgusting, or of digging up the bones of an albino and wielding them to “make big magic.”

In a time when every Negro demand is met with servile reverence, when images of the first cousin of erectus flood our media, when the feral Black with a pound of crack where his brain used to be is the holiest of figures, when every institution in our land from the courts to the police kneel in front of sub-animals, this is what you get.

Congoids have always been a childish and immature species, unfit for civilization. With a substantial dark side — in more ways than one.

Now one of their own, a stunted and malformed thing from the far recesses of the fevered jungle dreams of the Black unconscious, rules over us all. An oracle, they call it. Delphi it is not.

What does it say?

Why, what else would it say?

Kill the White man; kill the White man — C-I-L-L-L de wide mahn.

This is how the consciousness of Universe winks out.

If we let it. Let’s not let it.

* * *

Source: Author

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Prinz Edelhart
Prinz Edelhart
2 June, 2021 8:52 am

I’m almost surprised the statue is clothed and doesn’t have a massively oversized erection worshiped by naked White females, but maybe that would be a little too obvious. Robert E. Howard, author of many excellent fantasy and quasi-historical adventure stories, grew up in central Texas and had, if memory serves, a Black nanny and contact with other Blacks in the 1920s and ’30s, who told him stories of African or Afro-American mythology and folklore, which found their way into his writings, particularly those featuring ‘Puritan’ 17th century swordsman Solomon Kane. That name may seem a little…problematic… to us today, but I’m sure Howard meant well and wanted him to be Cornish/English. How such a person would have ended up in Africa is unclear, but then again, there probably weren’t many… Read more »

2 June, 2021 9:57 am

If a White person had created that grotesque monstrosity it would be considered racist.

Walt Hampton
Walt Hampton
2 June, 2021 3:15 pm

Mr. Mercer seems to be overlooking the fact
that NYC is not a White city. It is the largest
Jewish city on the planet Earth! This did not
happen overnight. It has been so for more
than a century.

Photo2: Great Black Art placed in middle of Jew Central’s Rockefeller Center – History Reviewed
2 June, 2021 5:37 pm
Arvin N. Prebost
Arvin N. Prebost
5 June, 2021 12:37 pm

This guy Biggers is not even original.

He copied a Marvel comics character: