Christian Cultural Appropriation
by Wolf Stoner
THE MAIN PROBLEM with European Christianity is that this alien ideology is closely intertwined with European culture in all its aspects. The main task is to separate those two components.
The “mainstream” public can’t understand the intricacies of such problems; for them anything that has some Christian trappings is considered as being generically Christian. For example, Bach’s music is considered to be deeply Christian, but in reality it isn’t. It is the pure expression of White Aryan spirit wrapped up in Christian trappings: It simply wasn’t possible to operate otherwise in the 17th century. You couldn’t just be a musician and play the organ and conduct the choir in a cathedral. You needed to be a part of the Christian establishment to have access to those magnificent musical instruments.
Bach was not any more Christian than a Soviet firearm designer was a Communist, despite the fact that his guns bore Soviet symbology and the designer himself was a party member. In both cases there was no other way. If you wanted to be an organ player in Europe in the Middle Ages, you needed to be a Christian. And if you wanted to be a gun designer in the USSR you needed to become a party member first.
Bach had no choice; being a Christian was his only option, therefore, we have no particular reason to reckon him among true Christians. First of all, he is a true White composer and philosopher of music, and we should separate his work from Christian ideology and should deny Christians any proprietary claims on Bach. The same is true with regard to all other aspects of our European cultural legacy. Christianity isn’t the primary source of inspiration for our culture (as Christians like to claim) but a parasitic entity appropriating ethnic cultural legacies, including especially ours, to serve its globalist agenda.
Some anti-Christians commit the grave mistake of abandoning a substantial part of our European legacy, reckoning it as “Christian.” They fall victim to the vile Christian narrative that all those architectural marvels, paintings, music, et cetera are the inalienable “property” of Christianity. But they are not. All those phenomena are exclusively our European racial legacy — in the same way that guns and weapons designed and produced in the USSR are not products of Communist ideology but of Russian ethnic genius [part of a larger European genius, of course] and hard work.
This Christian cultural appropriation of the works of European man should be exposed and the Middle Eastern religion denied the right to claim what they have absolutely no right to claim.
Christianity, in its pure form, is nothing more than pure hatred for the whole Gentile world, first felt as an inner instinct and then institutionalized by half-insane vagabonds. Early Christianity had no culture, no logic, no high spiritual motives. The only real asset that it had was hatred. And they were able to turn this hatred into a weapon of mass destruction. What we now see happening in Europe and other White countries is the long-term result of the use of this psychological weapon. They call it “love,” but we know that it is hate. They love to hate everything and everyone that is better than they.
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Source: White Biocentrism