EssaysHadding Scott

Auschwitz: More Lies

Soviet propaganda faked scenes at Auschwitz in imitation of Anglo-American camp-liberation propaganda

by Hadding Scott

DURING THE Good Morning Britain of 27 January 2020 Auschwitz survivor Eva Schloss said this:

“And something I wanted to point out to you. You know, there are many pictures about the Russians liberating Auschwitz, and there is never any snow. And the snow was honestly that high (indicating several feet of snow). And, so I have some connection with the Russian Embassy, and I was there once, and I said: something puzzles me, those photos are fakes, because there is no snow. And they said: well, yes, they are not fakes, but when the army came they didn’t have cameras, they didn’t photograph; so, only much later, when they realized we should have pictures of it, they took pictures like you see now. But this is definitely not in Auschwitz, and not the liberation of Auschwitz.

There were not that many … childrenand  [the pictures show] no snow!” (Eva Schloss, Good Morning Britain, 27 January 2020)

This attack on the claim to authenticity of images used in propaganda about Auschwitz and the Holocaust is of the highest importance, because whenever it is suggested that the gas-chamber story might not be true, the first reaction is almost always: What about the pictures? Are you saying that those are fake?

It turns out that, yes indeed, some of them definitely are fake — and we can cite an Auschwitz survivor as our authority for that fact.

The fact that there was snow in late January when the Red Army arrived at Auschwitz is not controversial. It is admitted, for example, in Irmgard von zur Mühlen’s 1985 documentary The Liberation of Auschwitz. The memoir Eva’s Story mentions that the ground was covered with snow several times during February, and never indicates a time when this was not the case, until Soviet authorities finally decided to evacuate civilians from the Auschwitz complex.

Significantly, snow is lacking from nearly all of the visually shocking scenes that are supposed to represent Auschwitz at the time of the “liberation.”

In 1985 Soviet cameraman Alexander Vorontsov admitted that all barracks-scenes from Auschwitz were staged, making excuses for the deception:

“Initially, we did not film the misery inside the barracks. After evacuating the camp on January 19, the SS cut off the electricity. Because initially our camera crews had no lights, we could not shoot indoors. The prisoners had to be transported as quickly as possible, because they were starving to death, and almost frozen.” (The Liberation of Auschwitz, 11:04-11:26)

The narrator tells us that the barracks-scenes were dramatized with Polish women “after the snow had melted.” We are supposed to trust that the dramatization was faithful to reality. Is Soviet propaganda trustworthy?

The USHMM in 2020 still presents this scene — a fraud exposed as long ago as 1985
— as if it were genuine.

Further undermining the credibility of Soviet documentary film, Vorontsov says that the original idea of how to dramatize the liberation of Auschwitz was completely different from the form that Soviet Auschwitz-propaganda eventually took.

In the original cinematic vision of the liberation of Auschwitz it did not seem to occur to the Soviet cinematographers to show emaciated corpses. (Perhaps they hadn’t seen any?) Instead they showed healthy-looking prisoners anxiously waiting at the gate and cheering when the Red Army arrived to set them free.

In those scenes, there is no snow on the ground, nor on the roofs of the buildings, which indicates that this film was not made immediately after the arrival of the Red Army.

Furthermore, this filming must have been done after the general evacuation in which Eva Schloss participated, since she told Good Morning Britain that the Red Army had no cameras, and her memoir gives no account of any movie being made. Based on the vague chronology in Eva’s Story this evacuation seems likely to have happened in March (rather than February as she said in one interview; if in February it would have had to be very late February). The filming of the first conceptualization of the liberation of Auschwitz, then, must have happened later than that.

Here is an important fact. Although the Red Army had arrived at the Auschwitz-Birkenau concentration-camp complex on 27 January 1945, Soviet propaganda did not immediately give Auschwitz the importance that it has today. The narrator of The Liberation of Auschwitz tells us:

“The Soviet press agency TASS did not inform the world about the scale of crimes committed in Auschwitz until May 7, 1945. (The Liberation of Auschwitz, 49:41)

Why did it take so long?

The beginning of this kind of Auschwitz-propaganda may have arisen from emulation of British and American camp-liberation propaganda. More than two months after the Red Army arrived at Auschwitz, the Western Allies captured Buchenwald (11 April), Bergen-Belsen (15 April), Dachau (27 April), etc. The timing suggests that this new Soviet Auschwitz-propaganda was inspired by Anglo-American camp-liberation propaganda.

The 1945 Soviet propaganda-film Auschwitz (Oświęcim ) (made from about 20 minutes of selected footage, with German-language narration) is called a “film-document” and is supposed to prove “horrific crimes.” What happens to that pretense when it is admitted that parts of the movie are dramatizations? In particular, the movie shows the now admittedly staged scene of the women in the Auschwitz barracks. The narrator evokes pity by emphasizing that they were all seemingly harmless elderly women:

“Warum ermorderten die Nazihenker diese armen alten Frauen?” (Auschwitz (Oświęcim), 04:08)

“Why did the Nazi hangmen murder these poor old women?”

This 1945 production of course gives no indication that the scene was staged.

The narration in Auschwitz (Oświęcim ) clarifies that one famous scene is definitely fraudulent. A pitiable group in striped uniforms crowds at the fence, as we are told:

“Und so fand sie die Rote Armee. Die Sowjetkämpfer haben die Deutschen aus Auschwitz vertrieben. Den überlebenen Gefangenen haben sie erklärt: Ihr seid frei! Frei für immer! Die Unglücklichen aber konnten es zuerst gar nicht fassen.”

“And this is how the Red Army found them. The Soviet fighters drove the Germans out of Auschwitz. They declared to the surviving prisoners: You are free! Free forever! At first, the unfortunates could not believe it.”

With this original narration from 1945, indicating that the scene is supposed to represent the very moment of the arrival of the Red Army at Auschwitz, the fraud becomes obvious — because, as Eva Schloss points out, there is no snow.

The memoir Eva’s Story contradicts the whole narrative (whether the 1945 or 1985 version) that images of “the liberation of Auschwitz” are supposed to support. We are supposed to believe that the Red Army made horrible discoveries when they arrived at Auschwitz, and immediately took great interest in the liberated prisoners and their wellbeing. In fact, the behavior of the Red Army during February and late January 1945 as described in Eva’s Story does not reflect any great sense of importance about Auschwitz-Birkenau or its inhabitants. The Birkenau women’s camp, according to Eva Schloss, was not even permanently occupied by the Red Army, nor was any special effort made to help its inhabitants for at least several weeks after the so-called liberation. Official Soviet solicitude for the wellbeing of the inhabitants of the Auschwitz complex was invented retroactively, and supported with dramatizations.

(This is a greatly condensed version of an article that can be read in full from CODOH.)

* * *

Source: National-Socialist Worldview

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Cord WendellVictorStefanTruthweedJOSEPH ANGEL Recent comment authors
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Panadechi
Panadechi

I think this is very hard for whites, (although I am also white), but I think that in the evolutionary fight, for survival, Asians are ahead of us (for the moment) to conquer the stars. The explanation is that they are not infiltrated by the Judeo-Christianity of equality, that they only favor the interests of the Jews. The Holohoax is a gross hoax.

DonnyMac
DonnyMac

Panadechi, that is BS! The Asians can only copy what the Aryan dream makes reality. Normally I would say join us. But you’re already too far gone.

Panadechi
Panadechi

Ethnocentrism is the life force of survival of all races, the Jews replaced the word Ethnocentrism by racism, in order to intimidate, confuse and harm whites. Asians have it, if whites do not recover their damaged and usurped ethnocentrism, they can disappear.

JM/Iowa
JM/Iowa

Panadechi, We are recovering our ethnocentrism. This website is the tip of the iceberg in that effort. Dr. William Pierce has been dead, what, about 18 years now? And yet his writings along with so many others like Strom, Oliver, Simpson, and others who strove to bring us truth have influenced millions. Their call to join us in a coordinated, intelligent effort is starting to reap results. Why? Because we listen to ourselves and believe in ourselves, not what Jews say and do about us. DonnyMac might be right, your pessimism does make it appear you’re too far gone, but I hope not.

Paul
Paul

Another holycost advertisement. And no less by—– Irmgard von zur Muellen , Also ! —- a superfluous ethnic claim to nobility , another arrogation only a jew would presume , evidence from the jew ” persecution,” I presume. Considering the sources , it is already by me dismissed as “abgefeimte Luege , forgive my prejudice , mir die Vorurteil verzeihen,,, another holycost “nightmare’ and the Anne Frank coincidence — another jew miracle! It makes me weep with joy . There exaggerations and inventiveness for pity and restitution is like the jewish spider, whose avarice entangles himself in his own web of deceit.

Hadding
Hadding

The “Anne Frank coincidence” is real. It’s no miracle. Jews are a small minority and of course many of them know each other. Otto Frank married Eva Schloss’s mother after the war.

I deal with other aspects of what Eva Schloss says in that interview in the original article on CODOH, linked at the end of this article.

Paul
Paul

Thank you for reply. I do not doubt the legendary Anne Frank factual relationship. But generally the jewess’es story is disinformation.

Karen
Karen

The propaganda is a constant. This MSM article blaming “white supremacists” for spreading COVID-19 lacks names, dates, locations, or even a motive. Could the Jews be deflecting from their own responsibility in spreading the caronavirus throughout New York City?
https://abcnews.go.com/US/white-supremacists-encouraging-members-spread-coronavirus-cops-jews/story?id=69737522

This other article explains.
https://russia-insider.com/en/us-corona-super-spreader-new-jersey-jewish-dr-pro-israel-mega-events-lobbying-ie-bribing-us-pols

Honesty is obviously not the policy of the people who want to rule over us.

guest
guest

The Left thought it was funny when homosexual activist Ben Savage wrote in Salon magazine about his attempt to deliberately give the flu then presidential candidate Gary Bauer. Reprehensible as Bauer is, this is inexcusable.

https://www.salon.com/2000/01/25/savage_3/

JM/Iowa
JM/Iowa

Astute observations there, Karen. In “poisoning the well” one particular Jew, Dr. Berger, may have poisoned that of his own tribe and their shabbos goy collaborators! Blaming “white supremacists” with no names or other information most certainly was a fine instance of “fake news” and appears to be a deflection.
https://natall.com/about/what-is-the-national-alliance/

JOSEPH ANGEL
JOSEPH ANGEL

“I knew it!!”– Lt. Frank Drebin, ‘Police Squad’.

Truthweed
Truthweed

Now is a chance for the Auschwitz Museum to rescue the world. It is in control of the facility to was able to cremate circa 1,300 people each hour. The world needs to replicate this infrastructure to cremate the COVID-19 victims. Modern crematoria require a minimum of 90 minutes to cremate someone at 800’c. The evil Narzies only had 500’C but they could cremate someone in under one minute, according to jewish authorites.

Here’s your duty Auschwitz Museum. Shoah us how it was done – It’s a real emergency!!!

Truthweed
Truthweed

“And this is how the Red Army found them. The Soviet fighters drove the Germans out of Auschwitz. They declared to the surviving prisoners: You are free! Free forever! At first, the unfortunates could not believe it.” Look at those poor unfortunates closely! fit, healthy and in warm clothing. Moreover, the Auschwitz authorities gave the inmates the choice of waiting for the soviets to liberate them or they could follow the Germans back into Germany. More than a hundred thousand of them chose to follow their guards back into Germany – they knew that these guards had done everything to feed, shelter, clothe, protect, entertain, educate, medicate and pay them. Soviet film-makers stated that victims were placed on electric conveyor belts to deliver them into gas chambers, but of course… Read more »

Hadding
Hadding

I doubt that the persons shown in the dramatizations for Soviet propaganda were actual inmates of Auschwitz. None of these scenes were filmed until after the Soviet authorities had decided to evacuate all civilians able to travel from the Auschwitz complex. The simple thing would have been just to get some actors. Vorontsov’s boss was a regular film-director.

Stefan
Stefan

Billy Wilder was also caught faking holohoax films just as that Britard maggot Hitchcock did some agitprop…and no one is Shabbos goyier than the English, though. No one.

Hadding
Hadding
Hadding
Hadding

Billy Wilder co-directed this movie for the U.S. government. https://www.bitchute.com/video/pCI7JAkGuQV8/

Stefan
Stefan

Yes.

Victor
Victor

The ungrateful Jews and other prisoners. The SS guards took such good care of them. And the barbarians from the Red Army “liberated” Auschwitz and ruined everything.

Cord Wendell
Cord Wendell

Some parasites have to be quarantined, away from humanity. The Russians, who suffered so much under Bolshevism, should know that better than anyone. What a mistake to release the pathogen.