Jews and Modern Art

by Josiah Nott

MODERN ART IS not really art at all, but Jewish self-promotion and degeneracy.

So, though Jews are not heavily represented in true art, they are in fact very much over-represented in so-called modern art — in fact, they were and are the dominant force in it.

(ILLUSTRATION: Top, Water Baby by Herbert Draper; bottom, Greyed Rainbow by Jackson Pollack)

Because painting, sculpture, and music are more difficult to counterfeit than philosophy, it was necessary to transform and support Jewish modern “art” with philosophy in order to make the naive goyim accept it as genuine.

True art is difficult to counterfeit . . . → Read More: Jews and Modern Art

The Assault on Art and Beauty

by Josiah Nott

JEWS, AS A GROUP, oppose beauty. In the many modern cultural movements that have spread an all-pervasive decadence upon our Western lands this one truth is evident. (ILLUSTRATION: bust of Nathalie Osborn by Margaret French Cresson)

In the early nineteenth century this did not yet appear to be the case, and a composer like Felix Mendelssohn could write attractive (if not profound) music that was part of the mainstream of Western music at the time. (Though by the mid-nineteenth century Richard Wagner could already detect the pernicious influence of Jews on Western music, a position he set out in his book, Judaism in Music.) But . . . → Read More: The Assault on Art and Beauty