News

Paris Mural Artist Depicts Whites Getting Murdered, Raped, and Enslaved

The giant mural was painted beneath the Eiffel Tower

PEOPLE SEEM TO BE catching on to the mural that was painted beneath the Eiffel Tower last September. The mural depicts White and Black figures intertwined and in the middle a Black male figure looks like he’s having sex with a White female figure. Many of people have pointed out the shape of the figures makes a six pointed star, or the “star of David”.

The artist Cleon Peterson named his mural, “The Endless Sleep,” a not-so-veiled euphemism for death — and the death of the White race worldwide. The term is but a slight variation on the title of Raymond Chandler’s novel The Big Sleep, and death is precisely what Chandler meant.

Many French people gazed at this image and believed it was a “circle of love” as it was officially described. However, this is not the case at all; this is open mockery and a disguised victory exultation at the foot of probably the most iconic European landmark.

It is no surprise to us that Cleon tweeted out the following about his work with certain members of the Rothschild family:

“I’m extremely proud to have the opportunity to work with Ariane and Benjamin de Rothschild…” — April 3rd

This mural depicts a completion or near-completion of the Jewish goal of European dissolution. The pure brazenness of this only exposes their complete arrogance and certainty of success. You will see a common theme in this artist’s work. What follows is a pictorial glimpse into the future he portrays — and which the Jewish power structure wishes for your children.

WARNING: What follows is graphic and disgusting, and children and sensitive persons should not view it.

* * *

Source: Intel Huxley

* * *

Download our PDF flier

* * *

For Further Reading

Previous post

Online Comments, Likes, and Reviews are Often Fake

Next post

The Rise of Rhodesia

5 Comments

  1. Arvin N. Prebost
    May 16, 2017 at 11:29 am — Reply

    If this artist is indeed depicting Negroes I think he would be condemned as one of the worst racists because his black figures are all violent and animalistic. The Left would be jumping the gun to ruin his career.

    I don’t know.

    Just because, in art, figures are portrayed as white and black does not mean that they are Caucasians and Negroes—just look at Greek vases or Egyptian depictions.

    I think I could make a case that he is depicting polar extremes of human qualities; that Eiffel Tower picture, to me depicts (especially in the center) the yin and the yang in a harmonious balance. Instead of black and white, he could have used orange and blue, or red and green. But then, he works only in black and white.

    His other pics could depict life out of balance; especially the last one shown here: The headless justice statue shows that there is no justice, no Logos, no Dharma when the yin and the yang get convulsively and violently out of balance, as they do in modern life (and illegal immigration to European lands certainly plays a part in this unbalance).

    But I usually have a different take on things. That crucifix in the jar of urine—was that not an in-your-face portrayal of what the Christ had to endure: A sickening, poisonous atmosphere of sin and illlusion in which a divine being could not long endure?

    • Axis Sally
      May 16, 2017 at 3:56 pm — Reply

      I think you are reading-into this rubbish more than is warranted. True, the black characters resemble something in between a gorilla and the Creature From the Black Lagoon. Seems an apt comparison to modern Negroes, though. Moreover, their behavior towards the white characters is true to form. This is obviously this sick puppy’s vision of the nascent Brave Jew World–hence his toadying “tweet” to the Rothschilds.

    • Joseph C.
      May 17, 2017 at 2:21 am — Reply

      If it was merely a symbolic, dual-nature, non-racial “black & white,” then perhaps the white figures may have occasionally been depicted as the perpetrators? The law of averages would then allow for the artist to metaphorically “create a few depictions in our favor?” I’m guessing that it’s at least partly racial, with the black figures symbolizing sub-Saharans as well as Muslims.

      Gaddafi once prophesied that Europe would someday “turn black,” and I think he meant more than the black race. The jealous mongrel, even subconsciously, may have meant “collectively mongrelized.” Those Libyans were quite brutal to the blacks during the uprising, almost as though they were trying to “beat the black out’ve themselves”… which would be the opposite side of the same coin as mongrelizing the Europeans off of their ancient white throne. Perhaps the black figures more represented Islam?

  2. Deirdre Mullen
    May 18, 2017 at 8:25 pm — Reply

    It’s disturbing and disgusting. If the non-whites continue death by a thousand cuts, we are doomed as a race. But if, as I see happening all around me, white people are starting to first of all notice it, secondly become indignant then angry, the only logical step is that we will start to fight back, and they are not going to like what happens when that comes around. Most important to me personally is that white traitors be identified and get what they deserve. By traitors I mean people like this who served up their race for a quick buck. For them, The Day of Rope is only fair. This is MORE important than any attack on another race, because if people like this didn’t do what they do we would never have arrived at this impasse. I think Washington DC needs to be stormed by hundreds of thousands of white working class people precisely because they have forgotten we can get to that point – of pitchforks and torches – and despite the army they can deploy, the masses are larger, always. So after most of Congress are arrested, they should be tried according to their works and whether or not they hated and tried to destroy their own people who are the true inheritors of this nation, not a despised minority.

  3. Leonie
    May 22, 2017 at 11:46 pm — Reply

    The artwork has to be interpreted against the current situation in Europe. It is a blueprint for the future. The elimination of the white race. The same people who sponsored this artwork are the same ones opening the borders and openly saying they want us gone. It is both a boast and an insult.

Leave a reply

Your email address will not be published. Required fields are marked *

Slander, crude language, incivility, off-topic drift, or remarks that might harm National Vanguard or its users may be edited or deleted, even if unintentional. Comments may be edited for clarity or usage.